剧照
剧情介绍
狂野街头电影免费高清在线观看全集。
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb陌陌影视陌陌影视樱花影院6080影院阁楼男女切尔西侦探 第一季安吉拉怀孕记哎哟我的妈！大伯公传奇来自阴道警视厅零系 生活安全科万能咨询室 爱与泪的告别远古外星人 第十二季奥斯威尔你不是我相棒第7季夺宝天团原声带金汤匙与敌同行今晚在U型酒场特别篇后篇谁是谁？雏菊1966月夜斩暴君炽热情缘粤语机关枪少女返回
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author: TimothyFarrell from Worcester, MA "Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) -from imdb陌陌影视陌陌影视樱花影院6080影院阁楼男女切尔西侦探 第一季安吉拉怀孕记哎哟我的妈！大伯公传奇来自阴道警视厅零系 生活安全科万能咨询室 爱与泪的告别远古外星人 第十二季奥斯威尔你不是我相棒第7季夺宝天团原声带金汤匙与敌同行今晚在U型酒场特别篇后篇谁是谁？雏菊1966月夜斩暴君炽热情缘粤语机关枪少女返回
60年代美国独立制片。年轻人电影。无资源
20211116周二21:56 哎呀！果真那段上世纪60年代一股浓厚的乌托邦韵存的年轻一代思想也不过注定是昙花一现的落幕了看看如今的美国真是死气沉沉一片灰霾！再也没有那个走火入魔的疯癫年代犹存的危险与自我，衰老是疾病年轻是万能，不过没有什么是永远不老的，虽然这种思想很自由但它也是一种信仰的体制注定倒下！纪念如花般的1968年，岁月苍老但活在那个年代的人青春永驻！
这电影是人类清除计划吧啊哈哈哈哈
看过留痕
观影史 211118
嬉皮急先锋
美国人在体制内就能折腾了，望梅止渴一下。不过Max成名的日子也太一帆风顺了，泡沫里戳俩洞故事应该会更丰满。
谈政治谈统治人民只服Max Frost
政治寓言片，真的做到了“未来是年轻人的”。好几次艾特到中国，似乎我们几千年来一直一个样，美国则永远充斥着生机与活力，可能还是它太年轻，爱瞎折腾，还是应该多向我国学习学习，把摇滚禁了不就没什么事了。
17躺
“我24岁” “那太老了”结尾那里还真是讽刺。人类永远都不要妄图去制造巴别塔
导演是磕了LSD拍的片子？Quote郭敬明老师一句话：“没有谁能永远年轻，但永远有人正年轻着。”（狗头
已收
美国60年代的forever young的时代思潮，满满counterculture的嬉皮运动