3.5 I don't hate it. The cinematography was exquisite with Japan's vibrant images, and the script had a historical and political context. International audiences were likely to empathize with the main characters' struggles of having interracial romance between a Japanese woman and a White American man. However, the small pieces of racial stereotypes were in every spot. Such as Wonton Font for the credits (they were SO BAD they burn me in the eyes). Side roles frequently showed their White Supremacy. Japanese women, along with other Asian women, are not a "type." They are who they are; each individual has an independent mind.
卡波特说,全方面显示了导演的无能;导演说,女主没演过戏不要紧,我们有白龙度;白兰度说,我已经放弃了,享受日本。然后他演得漫不经心的,竟然意外的好。
日美安保条约的先声
马龙·白兰度版“蝴蝶夫人”。。。 很喜欢他在这部电影中的形象。。。超帅超可爱
三星半!馬龍飾演美國軍官,深情正直的形象真是難能一見,但過多篇幅在介紹日本劇團及景色,要不是有馬龍兩個半小時也是實屬難熬。雖然他的角色依舊魅力無敵,馬龍一出手沒有誰他撈不到,但跟日本女孩兒的愛情實在不怎麼讓人信服,而且和馬龍自然演技比起來,女主角實在演得好用力!
白兰度真是帅得漫不经心。到底在日本拍过几部片啊hhhhhh
这个男人啊,尤物真是尤物。能让女人欲罢不能
女演员一点也没有艺妓的气质嘛。马龙当年还真是年轻啊。卡波特当记者的时候还专门到日本去采访过正在拍这部戏的马龙,写了一篇很长的报道。http://www.newyorker.com/magazine/1957/11/09/the-duke-in-his-domain
内核仍是“蝴蝶夫人”式的,绕不出这个圈子了。
剧作上相当成功,将一个美国军官由排斥跨国通婚并对日本文化感到不屑,到他真正爱上一个日本女人的心迹历程刻画得细腻完整。其间男主角朋友与日籍妻子惊世骇俗的经历对于坚定男主角的决心来讲功不可没。同时,整部电影也是50年代日美关系的完美写照。
本片获得第30届奥斯卡最佳男配角、女配角、艺术指导和录音奖。真难以想象,片头还是个种族主义拥护者,对异族文化,乃至跨种族婚姻都蔑视,桀骜不驯的男主角,片尾居然爱上一个有色人种,还爱得死去活来……
白兰度帅得我哪管啥剧情啊
白兰度这叫一个散漫……不过散漫的别有味道。个人魅力太凸显了,不过男女配角太有光芒了!情绪铺垫适宜,不过烂尾啊烂尾!
有人喜欢马龙白兰度是因为"教父",我是因为"樱花恋"
充满了对东方女人的刻板印象和幻想意淫,开头还对下属的美日婚姻颇有微词的男主就因为和女朋友吵架在路边一眼就爱上首席艺伎,女方明明对美国人有杀亲之恨,就因为男主天天追她她就爱上了并且专门和男主道歉……?男女配的爱情可信度完爆男女主,而且我完全没感觉出马龙白兰度在本片里有什么帅的,一直都是流里流气用美国那套大男子主义在泡妞。
3.5 I don't hate it. The cinematography was exquisite with Japan's vibrant images, and the script had a historical and political context. International audiences were likely to empathize with the main characters' struggles of having interracial romance between a Japanese woman and a White American man. However, the small pieces of racial stereotypes were in every spot. Such as Wonton Font for the credits (they were SO BAD they burn me in the eyes). Side roles frequently showed their White Supremacy. Japanese women, along with other Asian women, are not a "type." They are who they are; each individual has an independent mind.
三星半,情节偏弱,美、日勾搭的那些事儿……马龙·白兰度的慵懒、不羁、性感足以迷倒一大片女人,一个顶一万个!
7分,这是超级大年第30届奥斯卡里面最弱的一部bp提名电影了。感觉这部电影只属于那个时代,现在来看就是一部平平的电影,不过这仍然还是一部比较美的电影,而且剧作方面也没什么大的问题。本片体现的一些日本文化感觉还挺地道的。本片的表演还不错,马龙白兰度的表现算不上特别亮眼,完成度挺高的但这个角色演起来除了口音以外并没有什么难度。女主角长的真的像章子怡。莱德的表演在我看来还挺出彩的,就是最后殉职那点其实可以发挥的更多一些。梅木三吉的表演比想象中出彩一些,虽然戏份不多但完成的还是很到位的,也不乏亮点,感觉这个女配也不是很水
我滴妈,Brando这里面口音也太好笑...虽然不少奇怪的文化猎奇angle, 但总体还算好看,人也帅得惨绝人寰。不过提BP还是没必要哈。
白兰度稳定发挥,艺术指导一流水平。故事放在那个年代有一定社会意义,可惜感情线的打造腻而不细,而且这片拿到手的奥斯卡男女配实在水出天际。
有美国人当时就能打破种族成见,能体会与赞美东方人自己的审美,愿意融入异文化,反对对传统文化产生自卑心理,这在当时很了不起了