剧照
剧情介绍
难以置信的事实电影免费高清在线观看全集。
Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.陌陌影视陌陌影视樱花影院6080影院神谴之日魔力神童断日三线人家行尸之惧 第二季我要我们在一起他好吗？特工科恩西玛之歌劳琳：死亡之旅旅途的结束，世界的开始你OK，我OK！鸡毛刺杀令我的幸福密码历史上的超级建筑：德国国会大厦荒野浪子鹿鼎记第二部国语霹雳娇娃2019兵荒马乱的爱情新所罗门王1959鬼债2001紫苑草玻璃眼
Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.陌陌影视陌陌影视樱花影院6080影院神谴之日魔力神童断日三线人家行尸之惧 第二季我要我们在一起他好吗？特工科恩西玛之歌劳琳：死亡之旅旅途的结束，世界的开始你OK，我OK！鸡毛刺杀令我的幸福密码历史上的超级建筑：德国国会大厦荒野浪子鹿鼎记第二部国语霹雳娇娃2019兵荒马乱的爱情新所罗门王1959鬼债2001紫苑草玻璃眼
“人不能信任，只能简易，制下约定，并且遵守约定，才是好人。”影像风格平淡自然，电影通过一个杀人犯的归乡之旅展开叙述，在流言之中逐渐揭开昔日罪人的层层面纱，每个角色都相对精致的同时还不乏一丝幽默。
镜头里，一个人物所展露的没有任何关于他的身份啊过去啊，也没有被剧作下达任何任务，只有从他嘴里吐露出的个性。镜头只展示人物的一面，一个情景只创造那一面。但就是因为只有那一面，所以观众才能清楚地看到它的全部。调过来想一下，观众的观看其实并不是那单单的一面，而是全部，是[所有]。
We had a deal!We had an understanding! Bill Sage路人甲出现
蓝盘 这大鼻子 这扁嘴 挺好看
(剧透预警！)好怪好帅这片好可爱。外表是古怪少女跟禁欲大叔，内里却是不愿被社会和大众规训，坚持自我的灵魂相投。女主Audrey太让人喜欢。她坚守的末日虚无观，本身就是一种对存在主义的寻找。她也许脆弱，在父亲的贬低中，为了证明自己考上哈佛。但更多的是强大，考上是一回事，想不想去是另一回事，无人可左右我。即便他人对于她所在意的末日、炮弹皆嗤之以鼻，这个“古怪”少女却依旧遵从本心。更不用说她如此美丽。晨起一幕堪称经典。日光犹如眼神，替我一寸一寸磋磨她的肌肤。(对不起老流氓是我)男主Josh，是另一种意义上的不被规训者。外界评判对他来说，丝毫不影响Josh的为人处事标准。苦行僧克制、绅士的黑袍西装下，是隐忍、不肯伤害人的脆弱。这谁能忍得住不扒开他的衣服！！(对不起老流氓又是我)
长岛三部曲之一。在Hal Hartley的世界里，每个人都像是带了bug的NPC，时常有些难以理解的举动（在本片中如Emmet每当有人偷瞄Audry就要打人、餐厅里Edie Falco与男主的“I know what you need”死循环对话），并且人均带哲学家，以及二十多年贯穿始终的主题：社会边缘人与边缘社会里的普通人。在这个意义上，Hal Hartley当然是“作者”
@Metrograph w/ Hal Hartley in person, 谈及注重 rhythm in dialogues, moral responses to realities ("I wasn't as politically informed at that time"), Long Island（第一部真正写给长岛的 Simple Men 却摄制于德州），并以某导演协会成员的身份无情调笑了 critical/marketing aesthetics. 这部处女作的宣传费用据称超出了制作费用，而后者仅六万两千美金。
4.0-4.5 宣布HH已经成功挤掉了JJ成为了我的new fav;) 虽然大家似乎更喜欢把他和贾爷相比，但是个人感觉他的风格却更像迈克李的厨房水槽小品，只是没有那种大幅度的英式浮夸，反而是淡淡的清冷的(乡)愁和melancholy。这部处女作更像是给来年的trust铺垫，只是在讨论'Trust'之前我们来先讨论‘Deal’. 信任是从高处无畏地坠落，是手心中的小手榴弹，是扔进窗户打碎花瓶的书；在失掉所有信心之后选择继续相信，信任杂志里考上哈佛的裸体女郎，信任一打听装啤酒，信任酒后驾车。一些冷笑话和群戏调度还略显青涩，整体有些散，但是细节之处已经初显巨大的能量和野心。大嘴巴女主越看越美，可惜早逝之前留下的芳影一只手能数过来；chuck他爸怎么看都像个为独立电影量身定做的文艺男主，很难和老了之
非常新好莱坞的成片质感 最难以置信的事实是身边无人可信 信仰皆在远方//怪异还纯真 某种程度上浪漫得不可救药 罗伯特·约翰·伯克的性魅力溢满屏幕//以及这个女性角色设置地过于典型 不知道从何下手评论 一定范围内我共情得乱七八糟
完成度很好。由表及里似乎有很多矛盾的设置，但是捏合在一起又很协调。作为处女作，有成型的美国独立电影美学，一种类似薄荷糖的清爽质感
8.0 古怪的同时也有点可爱，独立电影的奇妙。
有很多不尽如人意的地方，然而这个故事的气质实在是太独特了。虽然在评分这件事情上，我的情感还是战胜不了我的理智。但我的情感确实看得很开心。
能给《时时刻刻》最后那段台词当个注脚。
我杯茶的rom-com。美少女亚德里涅不论，罗伯特伯克也魅力破表：你是牧师？不，我是机修工。鹰隼式面庞，禁欲的黑服，销魂的颧骨和鼻梁线条和灰眼睛，空房间小床垫六听啤酒，梦一般的小镇男神啊。
3.5。The Unbelievable Cutie !無傷大雅的荒謬，一起望向未知的藍天。(男主角長得超級像Terence Stamp郵票.....常常被問"你是不是神父"，不嫌煩嗎?Orz)
在人类历史即将终结的1989年，神父般的杀人犯机械工出仓回老家，遇上爱读书的厌世少女。不可思议的真相，是远方那场若有若无的灭世爆炸
首先致敬早逝的女主角 小仙女自带灵气演这种古灵精怪的美少女太适合了8⃣️ 看了导演另两部类似的 还是这部最爱 冷冷的笑点 莫名其妙的执着点 清新又独特
关于秘密与法则的动人复调！
太喜欢这个电影的气质了！MK2 Bibliothèque居然在最大的A厅排了这个电影，偌大的放映厅观众没有超过20个，真的非常非常可惜...
过去三十年美国独立电影能成就Jim Jarmusch，却又近乎遗弃Hal Hartley，这种遗憾大概也是我们时代消费主义本性又一症候。抛开趣味和观念设定这些不甚高明的东西不谈，Hal在其长岛三部曲中以如此风格化情景剧式的编排所建构出的人物情感，却最终在观众端达成了如此真挚的流动性。这样天才动人瞬间，我可能在贾木许电影里连一秒钟都没感受到过。